Recently in Music Category

What a voice. From her hometown newspaper - The Detroit Free Press:

Aretha Franklin dies at 76: Detroit star transformed American music
Aretha Franklin, whose impassioned, riveting voice made her a titan of American music, has died, her niece, Sabrina Owens, confirmed to the Free Press. She was 76.

She died at 9:50 a.m. surrounded by family at her home in Detroit.

A family statement released by her publicist Gwendolyn Quinn said "Franklin's official cause of death was due to advance pancreatic cancer of the neuroendocrine type, which was confirmed by Franklin's oncologist, Dr. Philip Phillip of Karmanos Cancer Institute" in Detroit.

The family added: "In one of the darkest moments of our lives, we are not able to find the appropriate words to express the pain in our heart. We have lost the matriarch and rock of our family."

Always loved that restaurant scene from Blues Brothers:

Great cameos of Matt 'Guitar' Murphy as the husband and saxophone solo by Blue Lou Marini

Been listening to some music and ran across this one:

I keep a weather eye on the horizon, back to the wall
I like to know who's coming through the door, that’s all
It's the old Army training, kickin' in
I'm not complaining, It's the world we live in
Blarney and Malarkey, they're a devious firm
They'll take you to the cleaners, or let you burn
The help is breaking dishes in the kitchen -- thanks a lot
We hired the worst dishwasher This place ever got

Comin’ in below the radar, they want to spoil our fun...
In the meantime, I'm cleaning my gun

Remember it got so cold ice froze up the tank
We lit a fire beneath her just so she would crank
Keep a weather eye on the horizon, tap the storm glass now and then
We got a case of Old Damnation For when you get here my friend

We can have ourselves a party before they come...
In the meantime, I'm cleaning my gun

We had women and a mirror ball, we had a DJ
We used to eat pretty much all came this way
Ever since the goons came in took apart the place
I keep a tire iron in the corner just in case

Gave you a magic bullet on a little chain
Keep you safe from the chilly winds and the howl of the rain
We're gonna might need bullets, should we get stuck
Any which way, we're gonna need a little luck

You can still get gas in heaven and drink in kingdom come...
In the meantime, I'm cleaning my gun

I love the minimalist recording studio and instrumentation. No AutoTune here, just a couple people who are masters at their craft and a recording engineer who knows to stay the hell away. Originally released in September 2009.

Great two-part article by Ed Driscol - Part One, Part Two

A lot of good information with links to softwarre - some free, some not but all good.

Bad management - from Bloomberg:

Gibson Files for Bankruptcy in Deal to Renew Guitar Business
Gibson Brands Inc. filed for bankruptcy protection, with lenders taking control of the iconic American business that’s supplied guitars to B.B. King, Elvis Presley and Pete Townshend.

The Chapter 11 filing on Tuesday in Delaware keeps Gibson in business but gives ownership to noteholders, replacing stockholders that include Chief Executive Officer Henry Juszkiewicz, the company’s leader for more than three decades. According to court filings, current noteholders include Silver Point Capital, Melody Capital Partners and funds affiliated with KKR Credit Advisors.

The restructuring will allow the instrument business to "unburden" itself of a consumer-electronics unit that Gibson blamed for its financial woes. Gibson owes as much as $500 million, and lenders will provide a new loan of up to $135 million to keep the company in business, according to court papers.

They lost sight of their core competencies and tried to expand to far into areas where they had no knowledge. Their CEO is an idiot:

Juszkiewicz bought the audio and home entertainment business from Koninklijke Philips NV in June 2014 for $135 million as part of a bid to relaunch Gibson Guitars as Gibson Brands Inc., a “music lifestyle” company. He also bought a line of consumer electronics from Japanese company Onkyo Corp. in his bid for diversification. But the purchases drained cash, and earnings plunged. The company ran out of time for a turnaround as a bond maturity and springing term loan loomed in July.

They need to dump these "brands" and dump Juszkiewicz. The guy trashed an american legend (founded in 1894)

Quite the collection of instuments - from Reverb:

Moby to Sell Synth Collection on Reverb, Donate Proceeds
Known for albums such as Play and 18, Moby has solidified his place within the electronica genre, having amassed a large fan base with his ethereal electronica. Last month, he released a his fifteenth studio album Everything Was Beautiful, and Nothing Hurt. Today, we here at Reverb are excited to announce the launch of the Official Moby Reverb Shop on Thursday, April 26, which will feature over 100 pieces of his personal recording and touring equipment.

"This is the equipment I've used to make all my records," Moby told us. “I have so much equipment, and almost all of it has profound sentimental value to me, including synthesizers I started using in the ‘80s. But rather than keep it all in storage, I want to sell it for a good cause."

All of Moby's proceeds from the shop will benefit the Physicians Committee for Responsible Medicine — an organization dedicated to dramatically changing the way that doctors treat chronic diseases like diabetes, heart disease, obesity, and cancer.

An amazing collection and the charity looks like they do fine work: Physicians Committee for Responsible Medicine

From the Nashville Post:

Gibson ‘running out of time — rapidly’
“Gibson Brands, Inc. today announced that the company made a $16.6 million coupon payment to holders of its $375 million, 8.875% senior secured notes due 2018.”

That simple statement issued a week ago — at all of 26 words, it’s less than a quarter the length of Gibson’s boilerplate company description that accompanied it — suggests a business-as-usual tone of a company taking care of its contractual commitments.

But the situation facing the iconic Nashville-based music instrument maker, which has annual revenues of more than $1 billion, is far from normal: CFO Bill Lawrence recently left the company after less than a year on the job and just six months before $375 million of senior secured notes will mature. On top of that, another $145 million in bank loans will come due immediately if those notes, issued in 2013, are not refinanced by July 23.

Less than six months out from those crucial deadlines, the prospects for an orderly refinancing — Gibson has hired investment bank Jefferies to help with that — look slim, observers say. And the alternative scenarios look likely to sideline longtime owner and CEO Henry Juszkiewicz.

“At the end of the day, someone will take control of this company — be it the debtors or the bondholders,” Debtwire reporter Reshmi Basu told the Post this week. “This has been a long time coming.”

Sheesh - they are an American Icon. There is no need for them to have been that deeply in hock except for poor management. Annual revenues of more than $1 billion? Come on - this is no way to run a company.

16:42 of pure bliss if you like Irish music. Martin Hayes lived in Seattle for a number of years so know of him from there

Their website is here: The Gloaming

From metal website Louder than War:

Dik Mik : Hawkind keyboard legend RIP
We are sad to report the death of the legendary Dik Mik who was the keyboard warrior in the classic Hawkwind and whose swooshes of noise not only opened up new constellations of sound but made him inaverdently one of the key musicians of his time. A harbinger of future eletronic based music it would be fair to argue that DikMik was a pioneeer of not only industrial music like Throbbing Gristle but also much electronic music from Aphex Twin and beyond.

He is also remembered as a genuine character, part of the heart and soul of the classic Hawkind chaos and the man who brought his mate Lemmy into the band because he needed a speed buddy – stuff like that is part of rock lore and we love the stories of the pair’s madness but we just want to thank the cosmic warrior for creating a whole new way of -playing music which is often overlooked…

A true innovator - he laid the foundation for several distinct genres of electronic and synthesizer music.

Justin Delay from reverb.com: The Synth Sounds of Blade Runner (1982)

A great fifteen minute demonstration of Bob Moog's designs for a modular synthesizer. Video is from 2014 which was the 50th anniversary of his initial demonstration. A couple years ago, I picked up a unit from these people: synthesizers.com. The Moog patents have expired so these units are built using the same basic designs but with modern components so there is a lot less noise, a much larger dynamic range and zero tuning issues. You get the same incredible sonorities of the Moog design but with none of the drawbacks.

I have a modular synthesizer that I purchased a few years ago. The original Moog patents have expired so the circut designs are in the public domain. The same march of technology that has given us modern electronics has also affected things down to the individual component level so although my "new" Moog has the same rich tone and flexibility as the original synthesizer, there is no noise, the thing stays in tune when the temperature changes and the reliability is light-years beyond what the original units used to have.

Here is a video from 1978 with Heinz Funk demonstrating a Moog Modular IIIc and a Sennheiser Vocoder VSM 201:

Tip of the hat to Mono Thyratron who did the subtitles.

J.S. Bach

From the kickstarter page:

Libre Art of the Fugue
The team of Kimiko Ishizaka, with help from the OpenScore project, the Teldex Studio, Sound engineer Anne-Marie Sylvestre, and a beautiful Bösendorfer grand piano, have previously brought you The Open Goldberg Variations and The Open Well-Tempered Clavier projects.

Kimiko Ishizaka is a German pianist, composer, and weightlifter who is on a mission to bring the music of J.S. Bach to the widest audience possible. Her breathtaking interpretations have been praised by classical music's top critics, and her previous Bach recordings have been streamed and downloaded millions of times.

Anne-Marie Sylvestre has recorded, edited, and mastered hundreds of classical recordings. Her keen understanding of Bach's music, and the excellent rapport she has with Kimiko makes her the perfect collaborator for this project.

The OpenScore project, a new initiative by the MuseScore team, extends a years-long collaboration with Kimiko Ishizaka to produce top quality digital scores of Bach's works. 

The Teldex Studio is one of the world's top recording locations. By continuing the tradition of recording at Teldex, on luxurious Bösendorfer grand pianos, Kimiko Ishizaka is steadily building the best Bach Box Set ever created, where the consistency of recording quality, sound, and piano tone will surpass any other collection ever made.

This is very cool - love Bach's music and his keyboard works are incredible.

Playing for Change goes around the world recording musicians playing a song - here is their latest:

Shepard tones are an auditory illusion - here is an excellent video on what they are, what they sound like and their use in movie soundtracks:

Great performance:

Mike's website is here Puddles Pity Party

From The Vinyl Factory:

One of electronic music history’s rarest synths has been rediscovered
A one-off synthesizer made by Peter Zinovieff’s Electronic Music Studios (EMS) in 1971 has been rediscovered by UK company Digitana Electronics.

Only one prototype of the EMS Synthi KB1 was made, for prog rock band Yes. It’s not clear how it relates to the more famous EMS Synthi A, but it appears to be a portable keyboard version of the synth.

“The synth never went into production,” Digitana said on Facebook. “It has remained essentially unused for 46 years, though Steve Howe (Yes guitarist) did use it on a track in the first of his ‘homebrew’ demo recordings, some of which featured on the band’s albums.”

Digitana Electronics, which builds custom interface modules for EMS’s Synthi A, AKS and VCS3 synths, has acquired the synth, and plans to release more photos and audio demos documenting the synth in the near future.

Not a big fan of the EMS designs but it is a fascinating bit of history - one of the more curious backwaters of Electronic Music design.

Just heard a wonderful mashup of Country Roads (John Denver's big hit) performed by 30 top country artists:

From Billboard:

Gregg Allman, Soulful Trailblazer of Southern Rock, Dies at 69
Gregg Allman, the soulful singer-songwriter and rock n' blues pioneer who founded The Allman Brothers Band with his late brother, Duane, and composed such classics as "Midnight Rider," "Melissa" and the epic concert jam "Whipping Post," has died at age 69, Billboard has learned. He was diagnosed with hepatitis C in 1999 and underwent a liver transplant in 2010.

He "passed away peacefully at his home in Savannah, Georgia," according to a statement on Gregg Allman's official website, noting that the family planned to release a statement soon. "Gregg struggled with many health issues over the past several years. During that time, Gregg considered being on the road playing music with his brothers and solo band for his beloved fans, essential medicine for his soul. Playing music lifted him up and kept him going during the toughest of times."

Gregg’s longtime manager and close friend Michael Lehman said, “I have lost a dear friend and the world has lost a brilliant pioneer in music. He was a kind and gentle soul with the best laugh I ever heard. His love for his family and bandmates was passionate as was the love he had for his extraordinary fans. Gregg was an incredible partner and an even better friend. We will all miss him.”

His website is unreachable - probably swamped with traffic. Try here in a few days: Gregg Allman

500 years ago, Leonardo da Vinci sketched out the design for a piano-like instrument but instead of plucking (harpsichord) or striking (piano) the strings, they are pressed into contact with rotating wheels covered in rosin and horsehair creating a bowed string sound. Polish musician and instrument builder Sławomir Zubrzycki spent three years and 5,000 hours building one. It sounds gorgeous:

Sławomir has a Youtube channel with this instrument and others. ClassicFM did a nice write-up on this instrument last September.

I love ambient music* and it seems that it is becoming popular again. From the New York Post:

Is this the most chill music festival ever?
Songs that drone on and on aren’t always a bad thing.

Music lovers are increasingly gravitating toward ambient music — the atmospheric and often repetitive niche genre favored by audio nerds — and attending concerts that go on for many hours.

Adventurous New Yorker concertgoers had the choice of two marathon-length concerts last weekend for tuning in and dropping out: a 10-hour ambient music show in Bushwick, and an even more demanding 24-hour drone-music event held in a reclaimed factory in Hudson, NY.

At 24-Hour Drone, about 300 people camped out on a concrete floor to listen to a full day’s worth of music from nearly 30 performers as varied as Sonic Youth co-founder Lee Ranaldo to the Karma Triyana Dharmachakra Choir, which sang Tibetan Buddhist chants.

A bit more - from the organizer of the 24-hour drone event:

“There’s some sort of a 21st-century New Age phenomena going on where the world is burning and politics are f–king evil and people need peace,” Melissa Auf der Maur, co-founder of Basilica Hudson, which put on the 24-Hour Drone event, tells The Post.

“The power of sound to bring frequencies inside and out together is hands down our most ancient force of connectivity,” adds Auf der Maur, who formerly played bass in the rock bands Hole and the Smashing Pumpkins.

While it won’t ever be as popular as, say, Beyoncé, there’s growing interest in the genre.

In January, the amount of ambient music streamed on Spotify reached an all-time high — about 60 percent higher than it was two years ago, according to the company.

* I love a lot of other kinds of music as well - current playlist in the truck is mostly Alan Parsons, Moby, Ray Wylie Hubbard, Traffic, Enya, Dervish.

Behold the computational power of Harrington 1200 Songwriting Computer system:

From Team Rock:

Allan Holdsworth Dead At 70
Allan Holdsworth, the groundbreaking British guitarist, has died unexpectedly, aged 70.

The news was broken by his daughter's Louise on her Facebook page earlier this evening. In a short statement she said: "It is with heavy hearts that we notify everyone of the passing of our beloved father. We would appreciate privacy and time while we grieve the loss of our dad, grandad, friend and musical genius. We will update close friends and family when service arrangements have been made and will notify the public of an open memorial service, which all would be welcome. We are undeniably still in shock with his unexpected death and cannot begin to put into words the overwhelming sadness we are experiencing. He is missed tremendously. Louise, Sam, Emily & Rori."

A major musician - there is a dark shadow on the land tonight.

From Synthtopia:

Roland Founder Ikutaro Kakehashi Has Died
Roland founder Ikutaro Kakehashi has died at the age of 87.

There hasn’t been an official announcement from Roland on this yet, but there have been several reports of Kakehashi’s death from musicians that have worked with him.

Tommy Snyder, who has worked with Roland on R&D of its electronic drum and percussion products, shared this message via Facebook:

Ikutaro Kakehashi, founder of Roland, father of the TR-909,TR-808, Godfather of MIDI, and someone who I have collaborated with for 38 years, and also considered him as my 2nd father, passed away at the age of 87.

He was a super funny, wonderful and gifted human being, and his contributions to the musical instrument world , and music, touched millions of people worldwide.

RIP dear Taro..

Ikutaro Kakehashi was an engineer, entrepreneur and the founder of Roland Corporation.

Under his leadership, Roland introduced many of the most iconic gear in electronic music, including:

• • The System 700 modular synthesizer;
  • The TB-303 bassline synthesizer;
  • The TR-808 and TR-909 drum machines; and
  • The Jupiter-8 & D-50 synthesizers.

That’s just the tip of the iceberg, because Kakehashi led the company successfully for over four decades.

An amazing engineer and designer. He was innovating right up to the end.

Excellent two-part article on building a personal sound studio. I am involved in a very similar project although much smaller in scope than Ed's - still, Ed posts lots of links to theory, materials for acoustic treatment and some great references.

Building a Dedicated Music Project Studio Control Room and Isolation Booth, Part One

Building a Dedicated Music Project Studio Control Room and Isolation Booth, Part Two of Two

I am a member of a facebook group for music modifying pedals - fuzz boxes, phasers, wah-wah, etc... Design and Construction. Someone posted about this one - looks great except for that little switch on the far right:

Actually a real product from these people: DEIODE Home-Fried Effects

From Billboard:

Chuck Berry, a Founding Father of Rock 'n' Roll, Dies at 90
Chuck Berry, the singer, songwriter and guitar great who practically defined rock music with his impeccably twangy hits “Maybellene,” “Roll Over Beethoven,” “Memphis,” “My Ding-a-Ling” and “Sweet Little Sixteen,” has died. He was 90.

The singer/songwriter, whose classic “Johnny B. Goode” was chosen by Carl Sagan to be included on the golden record of Earth Sounds and Music launched with Voyager in 1977, died Saturday afternoon, St. Charles County Police Department confirmed. The cause of death was not revealed.

During his 60-plus years in show business, Berry in 1986 became one of the first inductees into the Rock and Roll Hall of Fame. He entered The Blues Foundation’s Blues Hall of Fame in ’85 and that year also received a Grammy Lifetime Achievement Award.

A bit more:

Muddy Waters, Berry’s idol and musical influence, gave him some constructive backstage advice: contact Leonard Chess. Chicago-based Chess Records, primarily a blues label run by Polish brothers Leonard and Phil Chess, had a series of transplanted blues artists on its roster, including Howlin’ Wolf, Bo Diddley, Jimmy Reed and John Lee Hooker.

The Chess brothers signed Berry in 1955 and produced and released his first single, “Maybellene,” an adaption of the Bob Wills song “Ida Red.” It sold more than a million copies, reached No. 1 on the Billboard R&B charts and hit No. 5 on the Pop charts, allowing Berry to build crossover appeal beyond the R&B audience.

“Maybellene” blended hillbilly licks and high-spirited blues riffs, ultimately creating the signature sound that pioneered the rock revolution. The lyrics for the song had narrative swagger, reflecting the spirit of teenage angst depicting fast cars, drag races and the story of an unfaithful girl as its main themes.

He explained his appeal to adolescents across different cultural backgrounds: “Everything I wrote about wasn’t about me but [was about] the people listening.” He had a way of identifying what people wanted to express, but weren’t able to, during this segregated time.

The Heavenly Choir just got the blues!

Following up on their Deep Mind and their MiniMoog clone, Behringer is announcing two more synthesizer clones. From Ask Audio:

Behringer Reveals ARP 2600 And OSCar Synth Clones
If Behringer's Deepmind 12 and the upcoming $400 desktop version of the desirable Minimoog Model D synths already got you excited, then you're going to need to sit down before reading on...

Uli Behringer has revealed that there are indeed more synths on the way. He states that they will "be creating both innovative new synths as well as reviving classics." It appears they certainly have the manpower and desire: Behringer currently "have 4 synthesizer development teams simultaneously working on 20 synths". So it seems we're in the midst of a giant shake up in the industry right now. This may well be the great democratisation of hardware synths in process. Especially when you consider a Minimoog clone for $400 as opposed to Moog Music's Minimoog Model D that retails for in excess of $3,700!

So what's next on the list? Uli, on Gearslutz, has confirmed they are interested in the ARP 2600 (this has been one synth much requested from Korg since they re-issued the ARP Odyssey) and the OSCar. Here's what Uli says:

"Aside from the Oscar synth, I can confirm that the 2600 is high on our priority list as it is a truly remarkable synth; I always wanted one for myself:-)

"We are currently trying to acquire an original unit for benchmark purposes. We hope we will be able to show you a first design draft within the next few weeks, while we're studying the circuit diagrams to provide you with an estimated retail price. Once ready we will reach out to you to see if there is enough interest."

Wonderful news - these synthesizers were the first relatively inexpensive performance-oriented machines to hit the market - they defined the sound of an era. The remaining examples of these are so rare that their prices are above most people's budget. To have faithful clones for a couple hundred bucks opens up a whole new market.

Behringer is known for cheaply made but very good sounding audio devices - mixers, signal processors, PA systems, etc... Not something you would want to take on the road every day for a tour but perfectly suited for life in a home studio. I have several of their processors and love them. Their website is here: Behringer

Today, from the GearSlutz forum:

This is a first draft of our "D" Synth with a proposed feature set below.

Our goal is to design in a Poly Chain feature that allows combining up to 16 synths through Midi.

Depending on the feedback we will then decide if we move further and build a first prototype.

Our targeted retail price is around US$ 400.

Analog Synthesizer with 3 VCOs, 24 dB Ladder Filter, LFO, 16-Voice Poly Chain and Eurorack Format

1. Analog synthesizer with triple VCO design
2. Reproduction of original “D Type” with matched transistors and JFETs
3. 0.1% Thin Film resistors and Polyphenyline Sulphide capacitors for frequency stability
4. Analog signal path based on authentic VCO, VCF and VCA designs
5. 5 variable oscillator shapes with pulse width variation
6. Classic 24 dB ladder filter with resonance
7. Fully analog triangle/square wave LFO
8. Switchable low/high pass filter mode
9. 16-voice Midi Poly Chain allows combining multiple synthesizers for up to 16-voice polyphony
10. Overdrive circuit
11. Noise generator
12. Complete Eurorack solution – main module can be transferred to a standard Eurorack case
13. 46 controls for real-time access of all important parameters
14. External audio input for processing external sound sources
15. Low and high level outputs
16. Comprehensive MIDI implementation with MIDI channel and Voice Priority selection
17. 3-Year Warranty Program

This is a true clone of the seminal Moog Minimoog synthesizer. This was the classic performance synthesizer for many many years and is still a highly sought-after collectible - these (if you can find one in good shape) routinely sell for around $3K and are worth every penny. Now that the patents have all expired, to be able to buy a clone for $400 is world-changing. That Behringer is using modern components means that the output will stay in tune and will not have the persistent hissing noise that the original Moog synthesizers were prone to.

Very cool!

Two tunes though - been on a real Joe Bonamassa kick recently:

And these folks from Mongolia - masters of overtone singing (really hard to do - I have tried!) - Altai:

Tip of the hat to Irons in the Fire for the link to the last one.

UPDATE at the bottom - the dress' designer

From The Hollywood Reporter:

GRAMMY AWARDS: A PRO-TRUMP STATEMENT ON THE RED CARPET
Scandalous dresses on the Grammys red carpet aren’t what they used to be. It wasn't deep cleavage or a thigh-high leg slit that had tongues wagging about singer Joyce Villa on Sunday night. It was her red, white and blue gown emblazoned with “Make America Great Again” in front, and “Trump” across the train.

It’s a controversial statement coming from an artist in an industry that’s largely in opposition to the new president’s social policies, not to mention from a woman who identifies as bi-racial.

Nice music and great voice - Vagabonds:

Her YouTube channel is here: Joy Villa 
Her website here: Joy Villa

UPDATE - from Gateway Pundit:

EXCLUSIVE INTERVIEW: Designer Of Make America Great Again Dress Is A PRO-TRUMP IMMIGRANT
On Sunday night Joy Villa stunned the world when she showed up to the Grammy’s wearing a Make America Great Again dress.

The Gateway Pundit was contacted by Andre Soriano, the man who designed the dress, for an exclusive interview.

Andre Soriano immigrated from the Philippines to the United States when he was only 16 years old to pursue a better life and to pursue his dreams of working in the fashion industry. Andre now owns his own highly successful business named Andre Soriano based out of California.

And not to belabor the point, that would be LEGAL immigrant.

I am in the process of rewiring my music synthesizer setup and found a great place for cheap Chinese-made audio cables. (Monoprice) I need close to a hundred of them and it would take me 15 minutes to prep and wire each one plus the connectors are about $4 per pair. I can buy these cables pre-made from Monoprice - a USA -based company who deals with Chinese manufacturers - and I pay just under $4 each. I did a small order a few weeks ago and was impressed by the quality. Today, I spent some time unbagging a much larger order.

Why did God give us necks?

As a place to hang patch cords of course.

Any synthesist will know that.

Two losses in the music world:

• • The demise of Keyboard Magazine, after 42 years
  • William Onyeabor, enigmatic Nigerian synth-funk pioneer, dies aged 70

Poured over my copies of Keyboard when they hit the newsstand. They were the go-to place for reading about new music/performers/equipment/software.

Here is a 31 minute documentary about William - fun music and a true pioneer:

I do electronic music and one bane of this hobby is that you never have enough patch cords. You are always trying to link something to something else and having to unplug another module to free up a spare cable.

On an EM email list, Monoprice was mentioned as having good stuff at a reasonable price. I second that - just recieved 50 patch cords of various length today and they seem really well made - gold plated connectors, braided fabric covers and generous heat shrink to secure the plugs. Planning a studio re-wiring job in the next two months and will be buying from them instead of making my own - they are that cheap and that good.

From The Beeb:

Ex-Wham! singer George Michael dies
The star, who launched his career with Wham! in the 1980s and later continued his success as a solo performer, is said to have "passed away peacefully at home".

Thames Valley Police said South Central Ambulance Service attended a property in Goring in Oxfordshire at 13:42 GMT.

Police say there were no suspicious circumstances.

Michael, who was born Georgios Kyriacos Panayiotou in north London, sold more than 100m albums throughout a career spanning almost four decades.

Not very much into his style of music but he was a good singer and performer and will be missed. 53 is way to young. No cause of death listed.

Fun thing for the music room:

Great article and ten minute video on a guy who found and restored a large Moog synthesizer from 1967 - from Reverb:

Restoring an Original '67 Moog Modular Synthesizer
For nearly half a century, a piece of synthesizer history sat in storage at Roosevelt University in Chicago along Michigan Avenue. Circuits decaying, connections dirty and corroded, long-ago attempts at repair abandoned.

And then Mike Borish came along.

The real-estate-broker-turned-electronics-technician found out about the forgotten gem from a client who worked at the university.

After confirming with a professor exactly what it was that the client had seen - Unit 1029, one of only several dozen modular synthesizers built in the 1960s by R.A. Moog, synth pioneer Bob Moog’s first company - he knew what he had to do.

Borish had to open it up, get his hands in there, and bring it back to life.

Moog's genius was to make every parameter controllable by a voltage. He standardized on one volt per octave. This is an exponential shift - one octave below Concert A is 220 cycles per second (or Hz after Heinrich Hertz), add a volt and you are at Concert A at 440Hz, add another volt and you are one octave higher at 880Hz - you can see that this is not a linear progression. This was very difficult to do electronically but Moog persisted until he had a circuit that worked well and the rest of the world thanks him for it. It made the instrument musically useful.

Fast forward to today and all of Moog's patents have expired. The same technological advancements that have made computers so amazing have also happened for the rest of electronics so now there are builders who took the original Moog designs and have recreated them with current-day components. You have the same incredible depth and richness of sound but the machines stay in tune when the room temperature changes, the inherent noise is essentially non-existent and they are a lot more reliable. I am very pleased to own a large system from Roger Arrick at synthesizers.com

Cryptochrome - more human

Gorgeous work - more here: Cryptochrome

One of my more favorite modern composers - from FACT Magazine:

Pauline Oliveros, experimental composer and pioneer of “deep listening”, dies aged 84
Pauline Oliveros, the composer whose concept of “deep listening” had a profound impact on the trajectory of 20th century experimental music, has died aged 84.

The news was reported by flutist Claire Chase on Instagram and confirmed by friends of the composer on her Facebook page.

As a founding member of the San Francisco Tape Music Center in the 1960s, Oliveros collaborated with Terry Riley, playing in the first performance of Riley’s ‘In C’, and modular synthesist Morton Subotnick. She later became director of the Center, where she developed a philosophy of listening as a ritual and healing process, an approach she described through her coinage “deep listening”. Her Deep Listening Band specialized in performing recording in resonant or reverberant spaces, and her touchstone album Deep Listening was recorded in 1989 in a disused cistern 14 feet beneath the ground.

Her practice emphasized the difference between hearing and listening, as she told an interviewer in 2003. “In hearing, the ears take in all the sound waves and particles and deliver them to the audio cortex where the listening takes place. We cannot turn off our ears–the ears are always taking in sound information–but we can turn off our listening. I feel that listening is the basis of creativity and culture. How you’re listening, is how you develop a culture and how a community of people listens, is what creates their culture.”

The cistern in question lies about three hours to the Southwest at Fort Worden State Park in Port Townsend, WA: Dan Harpole Cistern

Oliveros played in Seattle frequently when I first moved there - fascinating musician. Her website: Pauline Oliveros and the Deep Listening Institute.